Monographs

• Eva Näripea, Estonian Cinescapes: Spaces, Places and Sites in Soviet Estonian Cinema (and Beyond). PhD thesis. Tallinn: Estonian Academy of Arts, 2011.

Articles in English

• Eva Näripea, National Space, (Trans)National Cinema: Estonian Film in the 1960s. – A Companion to Eastern European Cinema. Ed. Anikó Imre. Malden, Oxford: Blackwell, 2012, pp. 244–264.
• Eva Näripea, Nature, Movement, Liminality: Representing the Space of the Nation in 1960’s Estonian Cinema. – Regioninės studijos 2010, no 5, pp 89–107.
• Eva Näripea, Aliens and Time-Travellers: Recycling National Space in Estonian Science Fiction Cinema. - Studies in Eastern European Cinema 2010, Vol. 1 (2), pp. 167–182.
• Eva Näripea, From Nation-Scape to Nation-State: Reconfiguring Filmic Space in Post-Soviet Estonian Cinema. - Baltic Cinemas after the 90s: Shifting (Hi)stories and (Id)entities. Toim Renata Šukaityte. Vilnius: Vilniaus dailės akademijos leidykla, 2010, pp. 65-75.
• Eva Näripea, New Waves, New Spaces: Estonian Experimental Cinema of the 1970s. – Kinokultura: New Russian Cinema, Special Issue 10: Estonian Cinema. Eds. Eva Näripea, Ewa Mazierska, Mari Laaniste, 2010.
• Eva Näripea, Transnational Spaces of Science Fiction: An Estonian-Polish coproduction The Test of Pilot Pirx (Test pilota Pirxa / Navigaator Pirx, 1978) . - Kinokultura: New Russian Cinema, Special Issue 10: Estonian Cinema. Eds. Eva Näripea, Ewa Mazierska, Mari Laaniste, 2010.
• Eva Näripea, Spojrzenie turysty jako strategiczne narzędzie przedstawienia architektonicznego: starówka tallińska a sowiecki marketing turystyczny w latach sześćdziesiątych i siedemdziesiątych XX wieku [Tourist gaze as a strategic device of architectural representation: Tallinn Old Town and Soviet tourism marketing in the 1960s and 1970s]. – Panoptikum. Audiovizualia – Film / Media / Sztuka 8 (15). Toim Monika Bokiniec. Gdańsk: Akademickie Centrum Kultury Uniwersytetu Gdańskiego “Alternator”, 2009, pp. 108–116.
• Eva Näripea, A View from the Periphery: Spatial Discourse of the Soviet Estonian Feature Film: The 1940s and 1950s. – Koht ja paik / Place and Location. Studies in Environmental Aesthetics and Semiotics VII/2008, Special issue Via Transversa: Lost Cinema of the Former Eastern Bloc. Eds. E. Näripea, A. Trossek, pp. 193–210.
• Eva Näripea, Film, Space and Narrative: ‘What Happened to Andres Lapeteus?’ and ‘The Postage-Stamp of Vienna’. – Kunstiteaduslikke Uurimusi / Studies in Art and Architecture 2006, Vol. 15 (4), pp. 55–75.
• Eva Näripea, Dissonant Heritage and the Tourist Gaze: Concerning the Restoration of Tallinn’s Old Town and Its (Cinematographic) Representations. – Ehituskunst / Estonian Architectural Review 2005, no. 43/44, pp. 56–70.
• Eva Näripea, Tourist Escapism and Symphonic Variations: The Old Town of Tallinn in the Scenics of the 1960s and 1970s. – Kunstiteaduslikke Uurimusi / Studies in Art and Architecture 2005, Vol. 14 (2?3), pp. 69–91.
• Eva Näripea, Medieval Socialist Realism: Representations of Tallinn Old Town in Soviet Estonian Feature Films, 1969–1972. – Koht ja paik / Place and Location. Studies in Environmental Aesthetics and Semiotics IV/2004. Eds. V. Sarapik, E. Näripea, K. Tüür, pp. 121–144.
• Eva Näripea, Home and Away: Urban Films of the 1980s. – Koht ja paik / Place and Location III. Eds. V. Sarapik, K. Tüür. Proceedings of the Estonian Academy of Arts 14. Tallinn 2003, pp. 405–431.